Near the end of “The Unheard Music” (at the Four Star), X bassist John Doe quotes a bluesman as saying that “no man or woman knows what real trouble is in this world.” Doe muses: “I always took that to mean ' ‘cause it could always get worse.’ ”That brooding axiom neatly illustrates X’s dark, uncompromising vision, which has earned it both a permanent niche as pop cult idols and a precarious perch as a band of outsiders “locked out of the public eye.”“The Unheard Music” does its best to give us a sense of how lonely it is out there on the pop fringe. An intriguing, if erratic low-budget film that follows the L.A.-based band’s career over the past five years, it offers fascinating glimpses of the group’s personal mythology, home lives, rehearsal process and eclectic musical background.

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Out of the darkness walk dc. In 2012 someone in the United States died by suicide every 13 minutes. Today, suicide is the 10th leading cause of death and Wisconsin has one of the highest rates on the entire country. The Foundation is a leader in the fight against suicide and the walk is a way to engage young adults to help make a difference. Suicide is the second leading cause of death among people ages 18-24. The campus walk series brings thousands of students across college campuses nationwide together to bring mental health. Patti Zingaro has been walking the trails near her home in Genesee since February in preparation for a 20-mile walk to raise awareness of suicide prevention. The issue hits home for her: Her son. “When you walk in the Out of the Darkness Walks, you join the effort with hundreds of thousands of people to raise awareness and funds that allow AFSP to invest in new research, create educational programs, advocate for public policy, and support survivors of suicide loss.” – American Foundation for Suicide Prevention.

2010-6-21  It was just unheard of. Those were romantic locales for most people. VOA: special.2010.06.21 In rare, but not unheard of, cases, some people begin to have those unusual biological processes and then return to the normal biological processes and can talk about what was happening in the unusual biological processes. Unheard is a promotional channel which aims at uploading new and underrated SoundCloud artists to popular ones such as Juice WRLD, Lil Skies, & Yung Pinch.

But despite a host of exciting performance footage and some inventive visual effects, it never really captures the band’s howling energy or its eloquent, often disturbing spirit.X spearheaded a burst of sonic creativity that has forever earned the 1977-1983 L.A. Underground a permanent place in the rock history books. The film does a nice job of retracing these footsteps, having local punk pioneer Brendan Mullen conduct a comic tour of the Masque, original home for X and many other local standouts.

The film makers also have concocted several impressively edited music-video sequences. For “Motel Room in My Bed,” they use cheery ‘50s-style vacation post cards to emphasize the goofy unreality of life on the road; the film’s poignant title song unfolds as a spooky travelogue as a half-wrecked house is uprooted and transported to a new locale in the dead of night. But the film is at its best away from the stage. It’s a treat to see guitarist Billy Zoom doodling on the clarinet or Doe and singer Exene Cervenka rummaging through their Hank Williams songbook, their raggedy harmonies sounding like a wee-hours version of Pancho and Lefty. Bonebrake also is a hoot showing off a complex set of polyrhythms, using the syncopated sound of his bubbling coffeepot as a timekeeper. Cervenka also is at her most affecting at home, reminiscing about her late sister (killed in a car crash while driving to an X show) in a room adorned with memories of the loss.Unfortunately, the film loses its focus with nearly a half-hour to go, wandering off into a heavy-handed critique of the pop-making machinery that’s not particularly revealing (and very dated-all the executives interviewed have long since left their jobs). It also ends on a jarringly flat note, sabotaging several raging X songs with an annoying jumble of video clutter that’s almost as hilariously overwrought as anything you’d ever see on MTV.These missteps keep this otherwise engaging effort from being a classic rock documentary.

And its insular approach, never really showing us what gives this band its unbridled drive, will probably prevent the film from reaching a broader audience.“The Unheard Music’s” affection for the group is undeniable. It’s just that X’s best songs paint a dark, heroic dreamscape that stretches deep into our imagination, perhaps too deep for any one film to go.